Editing Tate no Yuusha no Nariagari:Web Chapter 111

Jump to navigation Jump to search

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then save the changes below to finish undoing the edit.

Latest revision Your text
Line 80: Line 80:
 
But if he tries to do anything to me, he will only be punished further.
 
But if he tries to do anything to me, he will only be punished further.
   
Why is it? For some reason, I am starting to pity the man. Perhaps I just questioned the Queen’s punishment methods.
+
Why is it? For some reason, I am starting to pity the man. Perhaps I just question the Queen’s punishment methods.
   
 
I approach Trash and ask…
 
I approach Trash and ask…
Line 132: Line 132:
 
The people of the town watch Trash leave with troubled expressions.
 
The people of the town watch Trash leave with troubled expressions.
   
This country is done for, isn’t it? In more ways than one.
+
This country is done for, isn’t it? In multiple ways.
   
   
Line 156: Line 156:
   
   
A few hours later
+
In a few hours
   
 
I was lead in front of the throne.
 
I was lead in front of the throne.
Line 168: Line 168:
   
   
The Queen says while looking at Bitch. Trash is… absent.
+
The Queen says whilst looking at Bitch. Trash is… absent.
   
 
But if he were here, he would just complicate things more.
 
But if he were here, he would just complicate things more.
Line 212: Line 212:
   
   
“The bills came for Expensive Accessories, Precious Metals, and Clothes. A luxury rental estate and several visits to numerous expensive night clubs. Is that what you call for the sake of the world?” (Queen)
+
“The bills came for Expensive Accessories, Precious Metals, and Clothes. A luxury rental estate and several visits to numerous expensive night clubs. Is that what you call the sake of the world?” (Queen)
   
   
Line 242: Line 242:
   
   
“This and that are separate matters. Unless she puts in an honest effort towards saving the world, she will not regain her freedom.” (Queen)
+
“This and that are separate matters. Unless she puts an honest effort towards saving the world, she will not regain her freedom.” (Queen)
   
 
“Aren’t you being too cold?” (Motoyasu)
 
“Aren’t you being too cold?” (Motoyasu)
Line 343: Line 343:
 
“Wha………..t……!?” (Motoyasu)
 
“Wha………..t……!?” (Motoyasu)
   
“He!?” (Rishia)
+
“He?” (Rishia)
   
   
Line 443: Line 443:
 
“There’s nothing like that!”(Motoyasu)
 
“There’s nothing like that!”(Motoyasu)
   
“Every blacksmith puts an inscription, a sort of magical signature, on their creations. In this city, it is considered to be a sort of obligation to inscribe them.” (Queen)
+
“Every blacksmith puts an inscription, a sort of magical signature on their creations. In this city, it is considered to be a sort of obligation to inscribe them.” (Queen)
   
 
“Really?…” (Motoyasu)
 
“Really?…” (Motoyasu)
Line 606: Line 606:
   
 
<noinclude>
 
<noinclude>
 
 
==Translator Note==
 
==Translator Note==
 
<references />
 
<references />

Please note that all contributions to Baka-Tsuki are considered to be released under the TLG Translation Common Agreement v.0.4.1 (see Baka-Tsuki:Copyrights for details). If you do not want your writing to be edited mercilessly and redistributed at will, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource. Do not submit copyrighted work without permission!

To protect the wiki against automated edit spam, we kindly ask you to solve the following CAPTCHA:

Cancel Editing help (opens in new window)